Audiam is a Digital Reproduction Collection Agency
We work for music publishers & self published songwriters
We License & Collect:
• U.S. Streaming Mechancial Royalties
• All Canadian Digitial Mechancial Royalties
• YouTube Royalties
Layla is an advanced income tracking and reporting suite developed for publishers.
Licensing, auditing, researching, sound recording identification and administration of interactive streaming mechanical royalties in the US and Canada for songwriters/publishers.
(We have found about 85% of the sound recordings are not being paid on representing 25% to 35% of the revenue.)
Audiam identifies/collects pipeline revenue of earned but unpaid royalties from US iTunes Match and US download mechanicals
Audiam finds videos on YouTube using your compositions without a license, authorizes YouTube to place ads on them and gets you back your percentage of the revenue.
It also makes sure the data in the YouTube database remains clean and accurate to assure the pipeline of money flows to you.
Audiam is an interactive streaming mechanical royalty collection agency. It gets its music publishing members accurately paid from YouTube, Spotify, Apple Music, Google Play, Rhapsody, Beats, Amazon Prime, Mood Music, TouchTunes and other interactive streaming services. We license, police, research, audit, collect and distribute "interactive" streaming mechanical royalties.
Any publishing administrator (either self published or a larger publishing entity) can join Audiam as long as they represent the administrative rights to their songs/compositions.
Audiam currently represents the publishing catalogs of: Bob Dylan, Red Hot Chili Peppers, Metallica, Jack White, Jason Mraz, Steve Miller, Hyvetown, Round Hill Music, Imagem, Pretty Lights, Ruthless, Jimmy Buffett, Victory, Epitaph, Sumerian and thousands more.
To date is has recovered millions of dollars dating back to 2007.
Audiam was created as a collection agency with a new approach based around “big data". Through its own unique technology and business processes it locates the metadata for every sound recording of a specific composition.
As one example, there are currently over 800 recordings of the Bob Dylan song “All Along the Watchtower” out there in the world and Audiam has found them all.
With this data it allows us to determine who is/is not licensed and if you are being paid properly and on time. It also allows us to recover your past revenue and make certain you are paid in the future.
"Until Audiam started making noise about this issue, publishers admitted to Billboard they were unaware of the problem."
Jeff Price (Founder TuneCore, spinART Records and Audiam) and journalist Ted Gerstein (Author: Bomb Squad, Former Nightline Producer) explore the behind the scenes mechanisms of the music industry allowing artists, producers, record labels, songwriters and technology innovators to make money off music. Learn why $30 billion dollars is generated off of music and whose pockets it ends up in.